Label : Korm Plastics, The Netherlands, 1985
Link provided by Carlo
A1. Bande Berne Crematoire - The Hot Seat For Traitors
A2. Merzbow - Itomakiei
A3. Asod DVI - 21-1 (Radio Mix)
A4. Asod DVI - Idette Oyeblikk
A5. Asod DVI - Feelings Of Isolation
A6. Asod DVI - Sleeping In Snatches
B1. Comando Bruno - Pdm Mantra
B2. FâLX çèrêbRi - Doom
B3. Throw Me Your Finger - All The Pain
Label : Korm Plastics, The Netherlands, 1986
Ripped by Carlo
A1. Het Zweet - Indus I
A2. Coup De Grace - Reality Photograph (Pt 1-6)
A3. Hjarntortyr Med Slacktmaskin - Yelping In The Nunnery
A4. Hjarntortyr Med Slacktmaskin - Hintingly No Hindrance
A5. Hjarntortyr Med Slacktmaskin - Mist-Sweeper
B1. No Unauthorized - Bacterio
B2. Swimming Behavior Of The Human Infant - 15 Parts
B3. Bourbonese Qualk - 10 Minutes Of Rough Mixes
Carlo has recently bought that CDr in Russia. This is a compilation of most LPD "Premonition" tracks, whose two first ones appeared on the "Premonition" cassette posted a few days ago on that blog.
Listen / download / buy more Legendary Pink Dots and Edward Ka-Spel releases here and here.
That tape is from the fascinating period during which The Legendary Pink Dots were releasing obscure cassettes. Premonition was first released in 1982 by Flowmotion in a very limited edition of 60 copies. That Ding Dong re-release is a little different from the original edition, with more tracks. Most of them were re-released as "Under Triple Moons" CD by ROIR in 1997, but I'm not sure if it's still available.
Anyway, you can listen / download / buy many Legendary Pink Dots and Edward Ka-Spel releases here and here.
A1. As If .......
A7. Premonition 1
B2. Dying Of The Emperor
B3. Oceans Of Emotion
B5. Pemonition 2
B6. Love Puppets
"On the 2nd of November 2002 we loaded everything into a van: our equipment to play a concert as Wander, to do small improvised concerts, wallpaper, Extrapool's sound installation and unloaded everything at De Appel, a prestigious art thing in Amsterdam. Extrapool was asked to present itself and their Brombron residency that I curated along with label presentations of En/Of and Meeuw. We stuck our wallpaper on the wall, set up the sound system in the early afternoon. There was a DJ spinning some records, there were small impromptu concerts by Jaap Blonk, Matthijs Kouw and me. In the evening, up stairs V/VM played and Wander closed the nocturnal event. That ending was shit. People drunk, people talking, we were asked to play even quieter; music got lost in there. How much different that was from the afternoon. After we set up, the DJ had not yet arrived and I filled the space up with some impromptu Freiband music. Unannounced I played for about an hour, using field recordings and many samples from the Brombron release by Stephan Mathieu and Ekkehard Ehlers, who by then were in the process of getting remixes done for which I was invited. Normally a Freiband concert is well prepared and I play one or two pieces that have a more or less fixed composition. Not so here. For various moments in here, things would run by itself, and I would talk with people, although not a lot where present in this early hour. A totally different concert for once".
Frans de Waard
Tôf aka Christophe Baudelot was the man behind the french cassette label Sinfonien Produkt in the eighties. He had a few experimental tracks on compilations during that period. Now he's doing concrete / electroacoustic music. "Dans Le Souffle" was first released on CDr by Ambitus Perceptif in 2012.
1. Rêves Des Rails (13:20)
2. Les Moulins De Don Quichotte (16:45)
3. À La Claire Fontaine (18:30)
Here is one of my favourite tracks ever, by one of the most important (post-)industrial bands of the first decade. "Kweye" is a late 1980s remix of their final cassette's A side. Find more Maybe Mental and other W. David Oliphant essential music here and here.
Label : Birthbiter, UK
Ripped by Achtounge
Although credited to Pure, that tape was a solo recording of Matthew Bower, with titles and cover by Birthbiter. In 2007, a different mix was rereleased on CD by Freak Animal Records (Finland), with different track titles and a bonus live track.
Label : Ubuibi, US, 1994
Limited edition of 200 numbered copies
Riped by jx
From the booklet : "The Legendary Pink Dots side of the cassette is entitled "The Politics Of Excess". It contains Edward's 8-track cut-up of many, many old Dot songs, along with Phil's manipulated samples from the eight track. This was mixed live 11/92 in their attic in Gendt. Having had so much fun on the first mix, a second attempt was made. These were both so lovely and quite different (though it uses the same material), that I could not choose which to use for Tryst, so we do the most confusing option and use both. Half of the Tryst will have Mix One and half will be Mix Two / (...) Since the Pink Dots got to do two mixes, so have BCO".
That post being the rip of one tape, it contains only one mix of each artist / side. If you have the other ones, please don't hesitate to share ! (Another rip of the cassette is available here, but these are the same mixes)
A1. Bedgceityookastraw - Introduction
A2. Bedgceityookastraw - Kaosyxs
A3. Bedgceityookastraw - Seven
A4. Bedgceityookastraw - Distraction
A5. Bedgceityookastraw - Focus
A6. Bedgceityookastraw - Withdrawal
A7. Bedgceityookastraw - Release
B. The Legendary Pink Dots - The Politics Of Excess
Label : Graf Haufen Tapes, Germany, 1983
Limited edition of about 50 copies
Ripped by jx
FâLX çèrêbRi (alias Graf Haufen) is an artist I cherish a lot because I saw him performing live (along with Das Synthetische Mischgewebe, Esplendor Geométrico and Laibach) the night I was converted to industrial music in 1986. A few years ago I was wondering what he was becoming until I discovered he was very active on Discogs where he published an interesting little bio :
"A little blurb about myself:
I discovered punk when I was 13, startet my own tape label (Graf Haufen Tapes) when I was 14, releasing music of my own and friends. In 1981 I started publishing "Die Katastrophe", the first tape-review fanzine of Germany. Later I also distributed other peoples tapes and expanded the label rooster internationally. In 1982 my musical tapes shifted more towards experimental music, noise and hardcore electronics. It all came to an end in 1985, when I stopped my label and turned more towards visual art, opening an apartment gallery and working with a professional gallery for two years.
In 1987 I turned towards electronic dance music, with Hip House and Acid developing. Techno, house and ambient became my main diet for the next 12 years. I co-owned a techno/electronic dance music store in Berlin for a few years until it went bankrupt, always providing me with the best the genre had to offer.
As I always listened to various other genre of music (apart from mainstream - that never interested me), I developed a fondness for bar jazz and exotica in the later 1990s. Singer-/Songwriter and intelligent indie pop and rock music are a huge part of my collection too.
After attending concerts by Earth and later Sunn O))) a new door was opened for me. Doom, black metal, white metal, sludge, screamo and a lot of experimental music gave me new kicks.
Music will always be my first love.
I own and operate a video and dvd rental store for unusual and aquired taste for the last 29 years. Mostly I work the office, so I basically listen to music while I'm working for at least 12 hours a day.
I'm always hungry for more...
Will it ever stop?"
3xCDr Unofficial release, 1999
Limited edition of 5 numbered copies
Ripped by Monsieur Morbidito
1-1. Slow Music A (14:17)
1-2. Slow Music B (15:04)
1-3. Ritual (3:20)
1-4. Offshore (3:20)
1-5. Adrift (3:33)
1-6. Ornament (4:04)
1-7. Kawa (2:08)
1-8. Prime (2:48)
1-9. Track (3:41)
1-10. Slab (2:52)
1-11. Exodus (4:24)
1-12. Crest (3:08)
1-13. Ember Hollow (3:28)
1-14. Grass (3:09)
1-15. Dawn Plaze (3:18)
2-1. Ways To The Sea (12:52)
2-2. Threshold (1:58)
2-3. Up From Zero (14:29)
2-4. Untitled A (6:30)
2-5. Untitled B (6:30)
2-6. Untitled (2:19)
2-7. Vault (1:57)
2-8. Untitled (4:04)
2-9. Untitled (4:00)
2-10. Blue (4:06)
2-11. Wolf (Part 2) (3:10)
2-12. Talon (1:29)
2-13. Veil (2:12)
2-14. ---------- (2:47)
2-15. Pover (2:44)
2-16. Shunt (2:00)
3-1. Homage To Tatlin - Part I (14:59)
3-2. Frailty (4:53)
3-3. Slope (1:55)
3-4. Slope (1:56)
3-5. Breaking (4:26)
3-6. The Square (2:20)
3-7. (Extract) Harmony Band (2:17)
3-8. Untitled 28-12-81 (3:17)
3-9. Desire (3:31)
3-10. Slope (2:06)
3-11. Air (2:02)
3-12. The Walk (4:58)
3-13. Do The Dog (2:48)
Note from Monsieur Morbidito : "Not-so-concise history of
Finnish electronic music On-Off - Eetteriäänistä sähkömusiikkiin by
Petri Kuljuntausta was published in 2002. The book came with an
exclusive compilation CD, all tracks first time publicly available
(since then "On-Off" by Erkki Kurenniemi has been released in various
formats). For a reason or another the CD was never separately available".
Conrad Schnitzler, a legend of german avant-garde electronic music, passed away on August 4th 2011 in Berlin. Short before that, he made a few recordings with Doc Wör Mirran, resulting in those two excellent tracks that I'm honored to share.
Das Synthetische Mischgewebe, a Berlin-based band at the origin, later established in Spain and then in France, is quite a classic on that blog. So I'm now very happy to offer that exclusive net-release, a recent live recording, with a bonus video of the sound installation.
Mission Papua Holland has produced a few LPs and a bunch of obscure cassettes in the 1980s and 1990s (some of them are available here). In 2008, Mark Van Gelder, the main MPH member, has assembled several recordings and (re)mixes from 1986, 1987, 1988, 2002, into one long beautiful piece...